Maiden Voyages: December 2015

A Growing Chorus: I have been pleased to see new authors come forward with new ideas.  Despite whatever first impressions a visitor might have, this site is in fact about the portrayal of little girls in the arts and media.  That is a very broad mandate and it should be understood that we try not to favor one particular art form over another nor are we exclusively about child nudity.  I want to thank Dimitri, Moko and Journey Darkmoon for their recent contributions.  Tomorrow, a post on a young Lolicon artist is being published.  I like the idea of encouraging new talent.  Sometimes it works out and sometimes it doesn’t, but I don’t want it said that Pigtails in Paint did not give an artist or writer his or her chance.

See Alice for Yourself: The British Library has informed us that in addition to owning the original manuscript to Alice’s Adventures Under Ground by Lewis Carroll since 1948, it is now in digitized form and can be viewed online by members of the public in its entirety. This was the precursor to Alice’s Adventures in Wonderland mentioned in the post ‘Alice: A Personal View’.

Appeal Accepted: I have been informed that Graham Ovenden’s appeal to have his material reevaluated has been accepted by the British courts.  There is no date set, but professional legal counsel will be at Ovenden’s disposal to assist this time.  The Metropolitan Police has still not returned the artwork and materials ordered by Judge Roscoe.

Relearning Aesthetics: One of our contributors, Susan Adler, has recently been concerned about the lack of education regarding the classic symbolic function of youth in artistic imagery.  She wants to reintroduce people to this uplifting pre-modern aesthetic and make an argument for its continued relevance in current and future art forms.  You can take of a look at her early efforts here.

Alphonse Mucha Page: We were contacted by Artsy about a new artist page dedicated to Alphonse Mucha.  It provides visitors with Mucha’s biography, over 25 of his works, exclusive articles and up-to-date Mucha exhibition listings. It also includes the requisite related artist and category tags and links to other contemporary artists.  Artsy’s stated mission is to make the world’s art accessible online.  You can view Pigtails’ post on Mucha here.

Stigma: When we published a post on Scott Affleck, he was making a go at establishing his own gallery in the U.S.  Despite a skilled presentation of the young girl as a mythic symbol, buyers mostly wanted paintings featuring mundane themes—not much of a challenge for a serious artist.  In response, Affleck is attempting to reach out to a more sophisticated European audience.  To add insult to injury, a recent article in the March-April 2015 issue of Radius Magazine discusses some of his award-winning art.  However, even though the article mentions the significance of his painting Progression, they did not include a picture.  It seems art magazines are reluctant to present images of the child nude, even if it is relevant to the subject at hand and is legitimate art.

Empowerment and Damage Control: It is interesting that from time to time a company’s product should receive some flak from concerned citizens.  Often it is about pollution or treatment of workers, but sometimes it is about the image of the product itself.  This is certainly the case with Barbie.  Mattel has recently launched an advertising campaign to make Barbie an expression of empowerment for girls.  A video which appears on YouTube, has the requisite charm and plays at the empowerment of little girls, but not too much as to threaten the adults.

A Quick Anatomy Lesson Revisited: I was pleased to get some artist details on an unidentified sculpture of a girl holding two dachshunds from one of our readers.  For those who are interested, the revised post can be seen here.

Alphonse Mucha’s ‘Le Pater’

Perhaps no one better exemplifies the art nouveau style than Alphonse Mucha; his work is virtually synonymous with art nouveau.  And amongst the pinnacle of his work was the seven part series known as Le Pater, which Mucha himself considered his print masterpiece.  Le Pater is the artist’s interpretation of the Lord’s Prayer, with each piece representing one line of the prayer.  These illustrations positively hum with symbolism and mystical allusions.  Not all of them are pertinent to this blog, but one of them is particularly on-target.


Alphonse Mucha – Le Pater (1899)

Alphonse Mucha – Le Pater (1899) (detail)

Alphonse Mucha – Le Pater (1899) (detail)

Mucha Foundation (Official Site)

Wikipedia: Alphonse Mucha

Link to Artsy’s Alphonse Mucha page