Poetry in White: Will and Carine Cadby

I get to meet a lot of people in the course of producing this site and, in one case, this has resulted in a deep friendship. Not only is Stuart a great fan of this site, but he informed me that anything he can scan from his collection is at our disposal. This was an especially generous offer because, from his descriptions, he appears to have one of the world’s biggest collections of little girl lore. With such an extensive collection, I assumed he could fill many of the gaps I have been trying to fill in. But alas, no collection is perfect and he does not recall owning any of the postcards from ‘La Journée de Suzette’ by Armand Gaboriaud. However, when I mentioned that series, it reminded him of a charming book called A Child’s Day (1913) using photographs by Will and Carine Cadby and accompanied by the poetry of Walter de la Mare. The samples he sent were just so precious and so I requested he scan the entire book.

There is not much biographical information available except for a kind of curriculum vitae. The couple were English and lived in London until settling later in Kent. Will Cadby, in particular, was personally known by Alfred Stieglitz and they maintained a written correspondence. Will began taking photographs in 1891 and his first exhibitions were in 1893. In 1894, the couple were elected members of The Linked Ring and began exhibiting in The London Salon. In 1896, Will began experimenting with white-on-white photography with models dressed in white shot with a white background. This signature style is apparent in A Child’s Day. The couple published their first of several children’s books in 1902, Dogs and Doggerel. For the most part, Carine did the writing and production while Will provided the photos. From 1912–1932 the Cadbys wrote a column called “London Letter” for Photo-Era magazine until its demise.

The Cadbys’ work had an international following and was appreciated in the United States as well as the European subcontinent. A particularly delightful example is Die Heilige Insel (The Holy Island, 1917). This kind of book would have been well-received during this heyday of Europe’s fascination with fairies.

Will Cadby – Die Heilige Insel (1917) (1)

Will Cadby – Die Heilige Insel (1917) (2)

It is remarkable that there have been so many books published in various languages containing images of little girls accompanied by poetic description. What follows are excerpts from de la Mare’s writing followed by the image that appears on the opposing page. We are introduced to our subject thus:

But nevertheless, as sweet as I can,
I’ll sing a song to Elizabeth Ann—
The same little Ann as there you see
Smiling as happy as happy can be.
And all that my song is meant to say
Is just what she did one long, long day,
With her own little self to play with only,
Yet never once felt the least bit lonely.

Will and Carine Cadby – A Child’s Day (1912) (1)

… At last from the pillow,
With cheeks bright red,
Out comes her round little
Touseled head;
And out she tumbles
From her warm bed. …

Will and Carine Cadby – A Child’s Day (1912) (2)

… So in her lonesome,
Slippety, bare,
Elizabeth Ann’s
Splash—splashing there;
And now from the watery
Waves amonje
Stands slooshing herself
With that ‘normous sponge.

Will and Carine Cadby – A Child’s Day (1912) (3)

… But sailing the world’s wide ocean round,
In a big broad bale from Turkey bound,
All for the sake of Elizabeth Ann
This towel’s been sent by a Mussulman,
And with might and main she must rub—rub—rub—
Till she’s warm and dry from her morning tub.

Will and Carine Cadby – A Child’s Day (1912) (4)

Now twelve above,
And twice six beneath,
She must polish and polish
Her small, sharp teeth.
The picture, you see,
Entirely fails
To show how nicely
She nipped her nails. …

Will and Carine Cadby – A Child’s Day (1912) (5)

Here all we see
Is Ann’s small nose,
A smile, two legs,
And ten pink toes,
Neatly arranged
In two short rows.

Will and Carine Cadby – A Child’s Day (1912) (6)

… Yet—though, of course, ‘twould be vain to tell a-
Nother word about Cinderella—
Except for a Mouse on the chimney shelf,
She put on her slippers quite—quite by herself,
And I can’t help thinking the greater pleasure
Is to dress in haste, and look lovely at leisure.
Certainly summer or winter, Ann
Always dresses as quick as she can.

Will and Carine Cadby – A Child’s Day (1912) (7)

And there she is (on the other side),
The last button buttoned, the last tape tied.
Her silky hair has perched upon it
A flat little two-stringed linen bonnet.
Each plump brown leg that comes out of her frock
Hides its foot in a shoe and a sock.

Will and Carine Cadby – A Child’s Day (1912) (8)

… While all the pigs
From York to Devon,
Have finished their wash
Before half-past seven.
But Elizabeth Ann
Gets up so late
She has only begun
At half-past eight
To gobble her porridge up— …

Will and Carine Cadby – A Child’s Day (1912) (9)

The following passage does not seem to make sense. Throughout the book, de la Mare incorporates the girl’s activities with those of wild beasts as in the pig reference above. In this case, it seems the poet did not have anything to say about the image itself.

… But Time, she nods her head—
Like flights of the butterfly,
Mammoths fade through her hours;
And Man draws nigh.
And it’s ages and ages ago;
Felled are the forests in ruin;
Gone are the thickets where lived on his lone
Old Bruin.

Will and Carine Cadby – A Child’s Day (1912) (10)

When safe into the fields Ann got,
She chose a dappled, shady spot,
Beside a green rush-bordered pool,
Where, over water still and cool,
The little twittering birds did pass,
Like shadows in a looking-glass. …

Will and Carine Cadby – A Child’s Day (1912) (11)

Please to look and see it there,
Dangling in her fleecy hair.

Will and Carine Cadby – A Child’s Day (1912) (12)

… “Happy, happy it is to be
Where the greenwood hangs o’er the dark blue sea;
To roam in the moonbeams clear and still
And dance with the elves
Over dale and hill;
To taste their cups, and with them roam
The fields for dewdrops and honeycomb.
Climb then, and come, as quick as you can,
And dwell with the fairies, Elizabeth Ann!” …

Will and Carine Cadby – A Child’s Day (1912) (13)

But this little morsel of morsels here—
Just what it is is just not clear: …
… But it’s all the same to Elizabeth Ann.
For when one’s hungry, it doesn’t much matter
So long as there’s (something) on one’s platter.

Will and Carine Cadby – A Child’s Day (1912) (14)

Now fie! O fie! How sly a face!
Half greedy joy, and half disgrace;
O foolish Ann, O greedy finger;
To long for that forbidden ginger! …

Will and Carine Cadby – A Child’s Day (1912) (15)

… And see! That foolish Ann’s forgot
To put the cover on the pot;
And also smeared—the heedless ninny—
Her sticky fingers on her pinny.
And, O dear me! Without a doubt,
Mamma has found the culprit out. …

Will and Carine Cadby – A Child’s Day (1912) (16)

… And here upon the stroke of three,
Half-way ‘twixt dinner-time and tea,
Cosily tucked in her four-legged chair,
With nice clean hands and smooth brushed hair,
In some small secret nursery nook,
She sits with her big Picture book. …

Will and Carine Cadby – A Child’s Day (1912) (17)

As soon as ever twilight comes,
Ann creeps upstairs to pass,
With one tall candle, just an hour
Before her looking-glass.
She rummages old wardrobes in,
Turns dusty boxes out;
And nods and curtsies, dances, sings,
And hops and skips about. …

Will and Carine Cadby – A Child’s Day (1912) (18)

… But now, dear me!
What’s this we see?
A dreadful G—
H—O—S—T!
A-glowering with
A chalk-white face
Out of some dim
And dismal place. …

Will and Carine Cadby – A Child’s Day (1912) (19)

“But now, my dear, for gracious sake!
Eat up this slice of currant cake;
Though certain sure, you’ll soon be screaming
For me to come—and find you dreaming. …”

Will and Carine Cadby – A Child’s Day (1912) (20)

But soon as Nurse’s back was turned
Ann’s idle thumbs for mischief yearned.
See now, those horrid scissors, oh,
If they should slip an inch or so!
If Ann should jog or jerk—suppose,
They snipped off her small powdery nose! …

Will and Carine Cadby – A Child’s Day (1912) (21)

But higgledy-piggledy
Slovenly Ann
Jumps out of her clothes
As fast as she can;
And with frock, sock, shoe,
Flung anywhere,
Slips from dressupedness
Into her bare. …

Will and Carine Cadby – A Child’s Day (1912) (22)

… This brief day now over;
Life’s but a span;
Tell how my heart aches,
Tell how my heart breaks,
To bid now farewell
To Elizabeth Ann. …

Will and Carine Cadby – A Child’s Day (1912) (23)

I was informed that there was some confusion about the date.  I had originally placed the date of 1913 for A Child’s Day which may have been confused with a film produced that year.  A colleague has informed me that the first edition was published in 1912 by Constable and was in a 12″ by 9¾” format, while the second edition was 9¾” by 7¾” and published in 1915 with a third reprint in 1920—sometimes referred to as the second edition by those who are now reproducing copies of many of these books with expired copyrights.

Official Walter de la Mare Society Website

Fudge Factors

Today is Pigtails in Paint’s 6th anniversary.  Not an auspicious one to be sure and I admit to some reservations.  For one thing, even though this site was founded by Pip 6 years ago today, it cannot be said that we have been in continuous operation that long due to technical issues and outright censorship.  Recently, Pip designed a little banner to celebrate our 1000th post, but again I have reservations.  As the site evolved, it made sense to consolidate a number of shorter posts and, on occasion, posts were deleted out of necessity.  And then there is the issue of monthly updates: do they count as posts or only those that contain images?  Some posts are long and some very short.  So I decided that, so that Pip’s efforts would not go to waste, I would post his celebratory banner on this anniversary date.  Thanks go to all our readers for their support particularly during these trying times.  -Ron

Maiden Voyages: January-February 2017

As we had to shut down in December, it was not possible to make a January ‘Maiden Voyages’.  A lot has happened and I am proud that through our supporters, the site was essentially up and running again within a month!

Our New Banner: By now, you have noticed the new banner.  This one is a breakthrough in two respects: 1) it is an original work of art by a U.S. painter with a background designed by Pip and 2) Pip always liked the idea of a banner with the girl actually drawing the letters of the site’s title.  The old banner has been archived in Pigtails’ third anniversary post along with all the earlier incarnations.  The banner is only the start as we modernize and organize this site to make it more accessible.

I rather like the idea that the title is not immediately legible and that it takes a few seconds of work to make it out. That will make it more memorable, since people must actively engage with it instead of just glossing over it. Which, I think, is a fundamental reflection of what good art is about, so the banner better represents what our site is. There are layers to it. It would be easy to make it all very pretty and simple—that’s how my earliest banners looked—but girls aren’t just pretty and simple, and that’s the point. The title reflects that they can be rough around the edges sometimes, but to me that adds to their charm. And it’s one thing to have a simple design when you’re just starting out, but we’ve hopefully moved beyond that. We are a well-established site now, and we’ve been through a lot. The new banner I think captures that complexity. The girl has made her mark, so to speak, and it cuts against the status quo, violates the simply ornamental. Like our girl, we have made a mark, and we did so on our own terms. Anyone could post images that are simply pleasing and non-challenging–what we’re doing is exploring aspects of girlhood that much of society would rather we didn’t. There have been several attempts to silence our voice, but we didn’t let that stop us, did we? -Pip Starr, February 1, 2017

Our Domain Name: The change of the domain name was originally a practical matter because we were having trouble reaching the domain registrar to forward searches to the new IP.  This has now been remedied.  All links and references to pigtailsinpaint.com will now be forwarded to the corresponding pigtailsinpaint.org page.  Please make the necessary adjustments to your search engines as the old name will be permanently retired in November 2017.  The decision to stay with the .org designation was to give Pigtails in Paint a more institutional feel as the site becomes a more important clearinghouse on materials connected to the topic of little girls.  One of the side effects of this change is that, for the time being, Russians now have access once again.  In fact, Russian visitors currently outnumber Americans two to one!  If this site should be blocked in your country, there is also a mirror site pigtailsinpaint.uk which will have a distinct IP address once the complications of mirroring have been solved..

Vindication after the Witch Hunt: Pip has mentioned the case of Mike Diana before on Pigtails. He’s the only legitimate artist ever to have been convicted on obscenity charges for his underground comic Boiled Angel that featured graphic depiction of violence and sexual abuse. There is a documentary in the works about this case. It will feature interviews with such comics luminaries as Neil Gaiman, Peter Bagge and Steve Bissette. You can see a teaser here, which is called The Trial of Mike Diana. The producers have been seeking funding for it on Kickstarter and they have been so successful that not only is the film completely funded, but they used some of the additional money to clear an outstanding arrest warrant on Diana in the state of Florida.

Closing the Barn Door: One of my associates discovered this interesting document online.  It lists material considered inappropriate for viewing by imprisoned sex offenders in the UK. They include artists like Graham Ovenden, Jan Saudek, Hajime Sawatari, Jock Sturges, Sally Mann, Oliver Hill’s Garden of Adonis and nudist magazines.  It also includes various texts on sexology and pedophilia which do not contain any “offending” images.  The Ministry of Justice also flaunts its ignorance a bit; one of the banned books is Thomas Hamilton’s The Age of Innocence!

Will the Real Artist Stand Up? The October 2015 ‘Maiden Voyages’ showed two photographs falsely attributed to Lewis Carroll.  An associate has found that one belongs to nude photographer J.L.M.E. Durieu mentioned in a short Pigtails post.  The site identifying the real artist can be found here.

Orphans Looking for Names: When Pip became semi-retired from Pigtails in Paint, he wanted to make sure that important images and other materials were not lost and would eventually find a place here.  These included a number of intriguing but unidentified photographs.  So in addition to the restored ‘Dream Girls’ images that have yet to be identified, there is a new batch.  So please take another look at the ‘Little Orphan Images’ page and help us find homes for these wayward pictures.

Bonds of Blood: Two Adaptations of a Vampire Story

* * * Spoiler Alert * * *

For some reason, one of our readers took me to task for reviewing the film, Le tout nouveau testament. One of the titles he suggested I review instead was Let Me In (2010), a British-American film directed by Matt Reeves. In the mean time, a good friend of mine told me about a film he had just watched called Let the Right One In (2008), a Swedish film written and directed by John Ajvide Lundqvist. When Pip informed me they were based on the same story, I was curious why there were two similar films produced in such close succession.

I had hoped to find a clue in some interview, but Matt Reeves’ explanation was not forthcoming. He knew that the Swedish film was about to be released. Did he not think there would be a dubbed English version in due course? The main motivation of the story revolves around a 12-year-old boy being bullied and hoping—but being too afraid—to get his revenge. In a roundtable interview, Reeves explains:

Sure. Well, I was bullied. And I grew up at that time, and my parents went through a very painful divorce. And I identified with that sense of being incredibly confused and the sense of humiliation and the sense of isolation. There’s tremendous shame with being bullied. I think there’s a level at which you think that there’s a reason that you’re being singled out, that you’re being chosen. As a kid, I was always mistaken for a girl. -Reprinted by Michael Leader, November 4, 2010

A telling difference in the two versions of the film was that Oskar (Kåre Hedebrant) was called “piggy” (such an insult does not suggest fatness as it does in America) while Owen (Kodi Smit-McPhee) was called a “little girl” and in the latter film the violence of the bullying was more explicitly violent and humiliating.

Apart from a teaser in Reeves’ version which the filmmaker must have felt was necessary to interest an American audience in the movie, the two films follow the story almost word for word. The story begins in the early 1980s with an older man and a young girl—also appearing to be 12 years old—moving in next door to a boy who lives with his divorcing mother. In Reeves’ version, the mother is especially religious. Those observing this scene are supposed to assume the man is her father with the peculiar fact that the girl is walking around with bare feet even though it is outside.

Matt Reeves and John Ajvide Lundqvist – Let Me In (2010) (1)

In Lundqvist’s novel and film, the girl is called Eli (pronounced “Ellie” and played by Lina Leandersson) and in Reeves’, it is Abby (Chloë Grace Moretz). They first meet when the boy is sitting in the courtyard. She appears behind him and immediately tells him that they cannot be friends. He is playing with a Rubik’s Cube and invites her to try it. He comments that she smells funny, apparently a trait of vampires who need to feed. Due to some bad luck, her caregiver was not able to secure her some blood and she has to fend for herself this night. He gives her the puzzle to play with and later finds it sitting in the courtyard, mystified that she solved it so easily.

John Ajvide Lundqvist – Let the Right One In (2008) (1)

Matt Reeves and John Ajvide Lundqvist – Let Me In (2010) (2)

John Ajvide Lundqvist – Let the Right One In (2008) (2)

Despite the girl’s admonition, a bond does seem to form. Her caregiver has noticed this and strenuously advises her not to see the boy anymore.

John Ajvide Lundqvist – Let the Right One In (2008) (3)

Matt Reeves and John Ajvide Lundqvist – Let Me In (2010) (3)

Since the two live next door to each other, a kind of Morse Code is created so they can communicate through the wall. Still unaware of the girl’s true nature, the boy offers her some candy. At first, she declines, but she wants the boy to like her and tries one piece. It does not agree with her and she is momentarily sick.

John Ajvide Lundqvist – Let the Right One In (2008) (4)

Matt Reeves and John Ajvide Lundqvist – Let Me In (2010) (4)

Matt Reeves and John Ajvide Lundqvist – Let Me In (2010) (5)

The Swedish film is more subtle in its presentation which is why I favor it slightly. In fact, the revelation of what is happening is all implied and depends on our own understanding of vampire lore. Lundqvist’s version does not even mention the word vampire throughout the film. No stranger to violence, the girl advises the boy that he needs to hit back hard, even though he is outnumbered. All the while, he fantasizes in the privacy of his bedroom that he confronts his aggressors with a knife.

John Ajvide Lundqvist – Let the Right One In (2008) (5)

Matt Reeves and John Ajvide Lundqvist – Let Me In (2010) (6)

On a field trip, the bullies once again threaten him and tell him he will end up in the frozen pond. To defend himself, he finds a stick. When confronted, he explains that it he will use it to hit back. Given his track record, the other boys do not believe him and he suddenly lashes out and strikes the leader on the side of his head, giving him a serious injury. The adults unaware of the context of this attack come very close to suspending him. Upon his return home, he explains to Eli/Abby what he has done and she says she is proud of him. After another night of feeding, the girl appears on Oskar/Owen’s windowsill and asks to be let in. The boy is half asleep, but she explains that she must be invited in—another vampire trait which the boy does not immediately catch on to. She disrobes and gets into bed with him. She still has blood on her face so she tells him not to look. He comments that she is ice cold and wonders why she is naked. She asks if he finds that gross but he does not object. He decides to ask if she wants to go steady but she does not really understand. She finally agrees based on the promise that there will be no basic change in their relationship and it is a way to get him to like her.

Matt Reeves and John Ajvide Lundqvist – Let Me In (2010) (7)

John Ajvide Lundqvist – Let the Right One In (2008) (6)

Matt Reeves and John Ajvide Lundqvist – Let Me In (2010) (8)

In the Reeves interview, it was explained that the decision to change the title in the English version of Lundqvists’ novel was because the publisher though the American audience would not be sophisticated enough to understand the metaphor of the original title. New editions have since changed the title back to Let the Right One In. Of course, the correct title offers a greater depth of meaning. Not only does it refer to the requirement that vampires be invited in, but also refers to the risks of inviting a new person into one’s intimate personal life.

Meanwhile, the caregiver has made a serious mistake and his capture is imminent. To avoid being identified, he spills acid all over his face, a shocking clue to the his devotion to the vampire girl. Was his advice to the girl more about keeping her out of trouble or was it a form of jealousy? Eli/Abby learns he is in the hospital under top security. She finds out his room location and visits him from the windowsill. Because of his injuries, he cannot speak and invite her in. In one last act of love, he extends his own neck out the window so he may offer her one last meal.

John Ajvide Lundqvist – Let the Right One In (2008) (7)

Matt Reeves and John Ajvide Lundqvist – Let Me In (2010) (9)

This turn of events has brought her closer to the boy and she decides she must risk revealing what she is. He hesitantly accepts her but not until she makes a most extraordinary leap of faith. She visits his home and asks to be invited in. He teases her about this ritual and asks if there is some barrier preventing her from entering. She walks in without the invitation and shortly begins convulsing in pain, blood seeping out. The boy rushes over and urgently tells her she is welcome to come in.

John Ajvide Lundqvist – Let the Right One In (2008) (8)

Matt Reeves and John Ajvide Lundqvist – Let Me In (2010) (10)

He lets her take a shower to get cleaned up and offers her one of his mother’s dresses. Now Oskar/Owen begins to assume the role of helping the girl get food. In both films, a man investigating the peculiar happenings of the town is lured into the girl’s home and ambushed. The boy is shocked by the viciousness of the attack and walks out in distress. She comes out afterward and tries to show her gratitude with a little affection.

John Ajvide Lundqvist – Let the Right One In (2008) (9)

Matt Reeves and John Ajvide Lundqvist – Let Me In (2010) (11)

Eli/Abby, not being able to stay in any one place too long, informs the boy that she must leave soon. In the mean time, the older brother of the lead bully is planning revenge and manages to draw the coach away from the swimming pool where Oskar/Owen is working out. He is told that if he can stay underwater for three minutes, he will be spared, if not, he will have his eyes gouged out. We then see him underwater with the brother’s hand firmly grasping his hair while he does his best. Suddenly, there is a lot of commotion and we see bloody severed body parts. The boy emerges to see that he has been rescued by the vampire girl.

John Ajvide Lundqvist – Let the Right One In (2008) (10)

Matt Reeves and John Ajvide Lundqvist – Let Me In (2010) (12)

John Ajvide Lundqvist – Let the Right One In (2008) (11)

In the final scene, the boy is sitting on a train accompanied by a large trunk on the way to a new hunting ground, the two communicating with each other with the knocks and scratches established earlier in the film.

John Ajvide Lundqvist – Let the Right One In (2008) (12)

Matt Reeves and John Ajvide Lundqvist – Let Me In (2010) (13)

I know I am not the first to make this observation, but the whole development of the vampire idea had as much to do with the terrors of sexuality as with that of violent murder and the metaphor of consumption. This plays very well in this film since there is ongoing tension about the ambiguity of the relationship. Presumably when one is infected, one keeps one’s appearance forever thus Eli/Abby is both a little girl and yet very old. But despite her long life, she still has some naivete regarding matters of love since she would not have had much occasion to practice and learn. There is also a strong accent on the morality of a vampire’s violent lifestyle versus the hateful bullying that children can inflict. A society might frown on a vampire feeding on its citizens, but is it really any worse than the psychological trauma and humiliation that bullied young people suffer? So it is ironic that Oskar/Owen should find affection not from the warm-blooded denizens of his neighborhood, but from the icy embrace of a vampire who understands and appreciates him.

Hell No! We Won’t Go!

This title is really too militant for me, but it somehow seemed appropriate in this instance. There has been yet another attempt to shut us down. While those opposed to this site make moral arguments, the companies—such as JaguarPC—always have a loophole in their Terms of Service (TOS) to allow them to refuse service to anyone on spurious grounds. All protestations of free speech and expression aside, these companies simply want a source of easy money and will act in self-preservation when 1) the work needed to keep a particular client outweighs the benefits and 2) the client expresses views which would reflect poorly on the company in light of mainstream public sentiment. Under different conditions, I would be content to let our detractors have their way but I have learned two important things in my time running this site: 1) Pigtails hold up a mirror to society revealing the flaws it does not want to face and 2) little girls are a kind of spiritual symbol that tells us what is wrong and a clue on how to remedy it. In other words, Pigtails in Paint is of political import and for our own sake, should not be summarily cast aside.

Our New Service Provider: One of the heartwarming things about Pigtails is how it motivates people to help out when it is needed. Our new service provider is in the U.K. and certainly many have commented that a site such as ours needed to be hosted in Europe. Our new host assures us he can handle the usual abuse from fanatical and ill-informed social conservatives and if a legitimate law enforcement authority or an order from the courts is received, we will remove the offending material. In addition, we will continue to comply with U.S. law.

New Facebook Page: I have been thinking about this for a while now. I felt there needed to be a separate site that was part the of Pigtails community for two reasons: 1) In cases like this when the main site is shut down, it can provide and alternate channel of communication to inform readers what is happening and 2) it would be a more practical place to have discussions and debates that do not properly belong to a specific Pigtails post. Other than the site avatar and banner, no images will be posted there. It will also be used to flesh out any details regarding the design of the main site and minor revisions that are being made that are not apparent to those regularly visiting the site. You can visit the Facebook page here.

About the Mirror Site: Our host has also set up this mirror site at pigtailsinpaint.org which is a duplication of the main site. The advantage is that in places, like Russia, where this site is blocked, there is a backup place to go. It will have a separate IP address as well in case the main IP should be blocked as well.

The Protests: The outpouring of concern and support is quite moving. I have been informed of a few places where there have been written protests of the denial of service by JaguarPC. Most notable is this one which has received numerous comments and copied on a few other blogs.

Our Detractors: After being shut down, one of my associates was looking for what people were saying about us. Our most virulent detractors have some strong words about what they think Pigtails is about (note especially posts dated November 9 and 10). This blogger acts as though he were on the inside track. If it weren’t for the fact that many readers lap up these salacious rumors, it would be quite amusing. It seems the blogger is privy to information that even those who run this site are not aware of!

Reinstating Stolen Dreams: In order to cooperate with our former service provider, I agreed to remove the images on the post ‘Stolen Dreams and the Japanese School’. The original request to have these removed did not come from a proper government authority, but a watchdog agency claiming to work closely with the police. Our new host assures me that it is understood that Pigtails does not contain or will ever contain images that satisfy the definition of pornography. Any requests for the removal of materials—under US or UK law—will only take place if given by a proper authority, Our new service provider understands the important contribution this site makes to society and should continue to evolve.

About the Domain Name: There is a temporary problem with the domain name and so, for the time being, Pigtails in Paint will be accessed at pigtailsinpaint.org. Unfortunately, that means that the hard-coded links to other posts on the site will not work properly until this matter is resolved.

End of Pigtails?

Pigtails in Paint Suspended: As of December 21st, I was informed that Pigtails in Paint will be suspended by our host, Jaguar PC. There is no explanation other than the tiresome complaint about content. They offer no legitimate reason, simply that they do not want this material on their network. Therefore, for Pigtails to continue a new and more tolerant service provider will have to be found. I have backed up the site so that everything up to this point will be saved. Do not bother to add any comments from hereon in as they will not be saved. I am uncertain whether the site will be reestablished or some kind of foundation will need to be formed to preserve that material which might otherwise fuel the bonfires of narrow-minded zealots. You can contact me directly by email at

Naturally, this is a dark day, not only for freedom of expression but for society’s own psychosexual health. The tides of history have driven Western Civilization to this attitude which is neither healthy for its members nor based on sound scientific foundations. I know such a statement may sound high-minded, but my work on the site has taught me that there is a lot more to this situation than the obvious claim of vulgar sexual titillation by a small minority of readers. The site offered academic merit, a feminist perspective, thoughtful discussion and a plenitude of warm support from those who really understood what we stood for.

Thank you everyone for your support and congratulations to those working hard to inaugurate a new dark age for humanity. -Ron, Editor-in-Chief

If you wish to file a protest, you can do so using the following contact information:.
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You’;re currently hosting pigtailsinpaint.com (209.140.30.185) which contains images which can be considered child pornography. We cannot allow this content on our network. We can only be able to unsuspend your account upon your confirmation that the site will be removed IMMEDIATELY upon re-activation and not allowed on our network again. I’m afraid this is not a negotiable situation and we can only re-enable the account upon your confirmation the site will be removed from your vps immediately.

Maiden Voyages: December 2016

I had not intended to do a Maiden Voyages this month as I had no new news leads to share.  However, a reader just informed me about the tragic death of David Hamilton. Readers are reminded that even though I have not been active lately, I have not abandoned this site and continued leads are encouraged so that other readers may be kept up-to-date.

David Hamilton Dies: The controversial photographer who inspired so many collectors and other artists died on November 25th.  So far, the police believe it was a suicide—presumably out of despondency from the accusations of former models claiming rape by the man in their youth.  The first accusation came from Flavie Flament in a novelistic memoir entitled La Consolation where she describes the incident.  Flament would not confirm Hamilton’s identity publicly but featured one of his photos on the book cover. Given the timing of the death and the reputation of the photographer, the police needs to exercise caution about making hasty conclusions.  With what little information has been shared publicly, it seems equally likely to be an act of vigilantism.

I am not in a position to weigh in on the veracity of the rape accusations or Hamilton’s intent to sue for slander.  But such a turn of events once again brings us to the question of the value of an artist’s work.  Do the circumstances of a work’s creation have to be taken into account when evaluating it?  Whatever the facts may be, do they diminish or enhance its visceral impact?  Because of the taint of association, will the future yield no new artists who will admit to admiring his work?

la-consolation-cover-flavie-flament

Addendum: Sometimes I get leads from readers uncomfortable with having their comments published even under an alias.  I would like to add a few details that came my way about the circumstances of Hamilton’s death: found at the scene were sleeping pills and a plastic bag (presumably for suffocation).  Also, the door was left open and it should be clarified if this is commonplace among suicides.  Additionally, there was an exhibition of Hamilton’s work scheduled and so the context needs to be cleared up: in the light of these accusations, was he looking forward to it or did he become concerned about a public lynching?  Or was this a plot engineered to put an end to the exhibition of his work and ones like it?

[170203] A reader informed me of this interesting review of the Flavie Flament book.

Maiden Voyages: October-November 2016

Welcome readers to a belated Maiden Voyages.  Within two weeks of my fruitful research trip, Mother Nature unleashed her chaos and I had a freak accident at home which sent me to the hospital.  As traumas go, it was a minor one but recovery is gradual.  My injuries have made it difficult to sit for a long time which is why there have been no posts from me in a while.  To make matters worse, my private business has been busier than ever.  Many days I have intended to work on a post or reply to emails to find myself too exhausted mentally and physically.  This has taken an emotional toll as I deal with bureaucracy of the broken American medical system.  I thank my friends and readers for their well wishes and promise to continue as I am able.  My research trip has been an inspiration and I have many interesting things to share.  However, producing a post to my standards does take time and cannot be done in one sitting.  I still believe Pigtails in Paint has an important function and should continue to do so.  I also encourage those interested in composing posts for this site to please do so.

Mission Statement: One of the ideas that came from my trip was the urgent need for a mission statement.  It goes without saying that Pigtails covers a number of controversial subjects associated with little girls.  However, like the proverbial elephant in the living room, it is an important subject that the conventions of society would have us ignore, trivialize or offer patent simplistic answers to.  Once posted, the ‘Mission Statement’ will reflect what I have learned to date about the valuable function this site serves, whether people want to acknowledge it or not.

Lessons from Behind the Iron Curtain: A Jock Sturges show titled ‘Absence of Shame’ was recently closed in Moscow after protests and charges that the work was child pornography. The government investigated and concurred with the complainants and ordered it shut down.  Given the U.S. President-Elect’s admiration for Russian methods for controlling its people, one has to wonder how much the United States will be following suit in the years to come.  Our readers should be reminded that Pigtails has been blocked in that country since 2014 and can only be accessed through proxy servers.

A Fresh New Site: I was informed of an interesting new site covering young girl portraiture.  The blogger states that: “The intention is to help redress, in admittedly a very limited way, the imbalance that exists with regard to images of girls online.”  It seems that image sites such as Tumblr delete any blogs that seem to be concentrating on young girls though specific policies regarding young girls are not clearly spelled out in the respective ToS (Terms of Service). Girls’ Portraiture intends to offer proper context to images rather than the popular convention of presenting a mash of random and unidentified images.

New Sia Video: Here is another one featuring Maddie Ziegler (plus a bunch of other kids).  There are also a couple other older videos of hers that may have been overlooked. One called Big Girls Cry has Maddie in it and another called Alive has a cute little Asian girl doing martial arts. It seems that the theme of children and little girls is a long-standing one for Sia.  In Alive, the little girl does a series of forms (kata in Japanese) which happen to be very advanced—done only by brown and black belts, an impressive accomplishment for a girl that age.

Vintage Postcards: An excellent collection of vintage postcards featuring girls and children has been brought to my attention.  Take a look here.

Site Design: Thanks to the efforts of supporters, there will be a noticeable change in the appearance of this blog.  It was my intent to have these changes take effect this month when our domain name was renewed.  However, unavoidable delays on all fronts means that these changes are likely to be implemented in the new year.  There will be a new banner designed by one of our artists and the layout style and site functions will be updated to make the site more professional.

The Kiss of Death: It has been brought to my attention that one of the films reviewed on this site, The Spy Who Caught a Cold, was deleted from YouTube.  It has become clear to me that because of the large readership of Pigtails, we have become a source of intelligence for the “decency police”.  Therefore, readers should know that any relevant video materials appearing on YouTube are copied in the course of doing the relevant posts.  If any reader would like an MP4 copy of such a film that can be viewed on a computer, it can be made available for download (assuming the video is unavailable elsewhere).

Maiden Voyages: September 2016

Hiatus and Research Trip: Usually, I get a lot more done in the summer on Pigtails because my work schedule slows down.  However, this year I had the opportunity to make a special trip to visit one of my special collectors.  Sometimes you just have to meet someone in person and, if all goes well, this will be a windfall for the readers of Pigtails. Now all I have to do is produce it!  For a while, I will be focusing on films and the new material I just received interspersed with items I had already been working on.

I would like to thank Pip, Christian and Arizona for keeping the home fires burning by contributing posts during this past month.

Maiden Voyages: August 2016

Light Month: Probably due to the vacation season, I have not received a lot of leads worth reporting this month.  I would like to advise readers that we will be changing the appearance of the site.  When the current theme was selected, I had assumed that the fonts could be easily changed.  Once we committed to it, it became risky to change it without losing information (and our hard work).  I have been assured by our new site technician that we can have a more up-to-date template, that it will have a more suitable appearance and will have more features consistent with the design of professional-looking blogs today.

Enjoy the rest of your summer, -Ron