Well, we all somehow made it to the end of 2017 alive. In that time I’ve gathered up several album covers that I thought were worth sharing. Our first album up is a modern take on the Little Red Riding Hood myth. One of these days I will make a proper LRRH post because there is so much fantastic art surrounding this theme, but for now you’ll have to settle for this. This is the cover for Declan “Dec” Burke‘s album Destroy All Monsters. Burke is a veteran of prog rock, performing in the bands Darwin’s Radio (who took their name from a Greg Bear sci-fi novel) and Frost*. This album, Burke’s solo debut, features the more poppy side of prog music. In fact, it reminds me quite a bit of late 80s pop, like Genesis and Peter Gabriel. The title, of course, is a reference to the classic Japanese kaiju film of the same name.
This next cover is from an album by the female-led garage rock/punk act Demolition Doll Rods. The image should be familiar to everyone at this point in some form or fashion. It’s practically iconic at this point and is usually accompanied by some one-line joke like, “So that’s why I make less money than you.” Anyway, it was bound to crop up on some album someday, and so it did, appearing on the front of DDR’s 2006 release There Is a Difference.
Meanwhile, the back cover featured a small photo of three toddler-age children—two girls and a boy—in various states of undress, presumably representing the three band members.
Okay, so this next one is sort of cheating because it’s easy to use covers from child singers. I could fill several posts with those alone. But this one is exceptionally nice, I think. It’s the cover of the debut EP from 2016 America’s Got Talent winner Grace VanderWaal, called Perfectly Imperfect. Grace has a particularly striking face anyway, and then the addition of the colorful illustrated elements transposed over an elegant black & white photo of the young musician just make this cover stand out from the pack. Her new album, her first LP Just the Beginning, also has a beautiful cover, front and back, but I just really dig the artiness of this EP cover.
Next up is an album cover which features several of my favorite things for a cover: a fantasy element (an archaic dragon rendered in what appears to be sculpted leather or wood), a trippy, oddly colored photo of the band as viewed through a fish-eye lens, and, of course, a little girl. This is the cover for New Wave band Squeeze‘s Some Fantastic Place. I really wish I knew the story behind this cover. The little girl may be the daughter of or otherwise related to one of the band members, but who knows? All I know is it’s a really beautiful cover, and it’s a great album too!
And the eponymous single from the album also features the same little girl, along with a second girl of about the same age.
And here is the cover for only release so far from Major Organ and the Adding Machine, a supergroup comprised of various members of a musical collective called Elephant 6. The album is self-titled and was released in 2001. Beyond that I know little about it.
This next is from a single release by Danish singer MØ (sounds a bit like ‘Moo’), and the song is a cover of the Spice Girls tune Say You’ll Be There. Fittingly, MØ’s album art features a photo of five young girls dressed and performing as the Spice Girls.
And here we have the cover for the dream pop group Beach House‘s album Thank Your Lucky Stars. The photo on the cover is of the band vocalist Victoria Legrand’s mother when she was a little girl and was taken in the 1950s. The girl is holding up a doll or figurine still in its packaging, which suggests the photo was either taken at Christmas or during the girl’s birthday. Whatever the case, it’s a charming photo.
The cover photo on Cairo’s A History of Reasons is a bit too grainy, but I liked the concept enough to post it. I could find almost nothing on the web about this band other than they are a folk/indie group from Toronto.
Now we have what may be my favorite cover of the bunch, Olivia Chaney‘s The Longest River. Chaney is also a folk musician, albeit British this time, and seeing this photo just makes me melt. I assume this is a photo of a father and his daughter but I could not verify that. The graphic element which comprises the off-center frame around the photo is a representation of the Egyptian goddess Nut. (Compare against images on Google.) In addition to its wonderful cover image, the album has the added benefit of being quite good.
The artwork featured on this next album, which is The Getaway by Red Hot Chili Peppers, is a painting by Kevin Peterson. You really should take a look at Peterson’s website as there are tons of paintings of little girls, usually alongside animals of various sorts or against graffiti-covered walls. In fact, he really warrants a post of his own on Pigtails. Anyone want to volunteer? The painting itself is called Coalition II, and Peppers frontman Anthony Kiedis, in an interview on the Kevin and Bean show, explained why they chose it for the cover: “Normally we get a little more highbrow artsy, and this just felt extremely warm and human. Even though it’s animals, it felt human. And it’s also us. Chad is the bear, Josh is the girl, and Flea is the raccoon, and me as the funny little raven out front.”
And here is the actual painting in full:
Our penultimate album cover is for alt rock/alt country band Lambchop‘s album Nixon. The painting on the cover was done by Wayne White, a longtime friend of the band’s singer. White has done other artworks for Lambchop albums but this one is my favorite. It’s designed to resemble one of those old collectible postcards for particular US towns or cities.
And last but certainly not least, our sole example from a non-Anglophone country is this cover for Gente da Gente, by Brazilian group Negritude Júnior. In a world that seems to be growing more and more hostile to the notion of racial diversity, I find this cover to be disarmingly sweet and lovely. I think the idea here is that, stripped of our personal and cultural pretenses, we’re all pretty much the same. I tried to find a super-high quality version of this image on the web but this was the best I could do. Perhaps someone out there might like to buy this album and do a high-pass scan of the cover? If not, this version isn’t too bad, I think.
Edit: A reader has shared a link in the comments section to a better version of this image. Rather than simply replace it, however, I am going to leave the original and add the new version, but as it is the better version, I’m placing it first. 🙂 I did find the version at the link to be a bit washed out though, so I pushed up the saturation and contrast levels a bit and removed the halftone enough to still maintain clarity. – Pip
And that concludes our album cover posts for this year. Happy holidays, everyone!