As summer nears an end (in the Northern Hemisphere), I feel compelled to cover something of the beach scene. As you may already know, I am fond of Lladró figurines and feel their style captures the essence of demure feminity. There are plenty of interesting Lladró pieces that I have yet to cover on Pigtails and I share some of them now.
One piece in particular, I feel comes out of left field. It belongs to a series of children with a day-of-the-week theme—one for girls and one for boys. Monday’s Child (girl) (6012) is an enigma with its peculiar mixture of elements. It appears to be a bathing beauty with a parasol, holding an ice cream cone near a tempted puppy. It illustrates very well the way the company molds and then assembles each piece separately. What is perplexing is that I cannot determine the place and time the design is supposed to represent. The frilly parasol suggests an upper-class girl of perhaps the Edwardian period, but the outfit is a kind of two-piece bikini. The skirt, however, looks like it belongs to a cheerleading or other dance uniform rather than a bathing suit. I find it a charming piece, but I can’t help wondering if this kind of outfit ever existed or if it is just a bit of clever fantasy?
Perhaps the most important rule for caring for one’s precious collectibles is: never expose them to direct sunlight. The temptation is to show them off in a prominent place, but that will expose them to long-term damage. Here is an example of a Monday’s Child whose colors were slightly bleached because of this.
Another Lladró beach classic is Sandcastles (5488) and I am always impressed with any piece where the hat is not an unwelcome distraction.
Free as a Butterfly (1483) illustrates the southern European convention of allowing girls to appear topless up to a certain age or level of development.